Category: Editorial

For International Women’s Day 2021 we created two playlists to celebrate some of the fantastic women in music. For our first playlist, Women Composers on TIDAL, we chose to celebrate women composers in classical music, highlighting a range of composers from 12th century Hildegard von Bingen to 19th century pioneer Louise Farrenc and contemporary composer Dobrinka Tabakova. 

Hildegard composed many liturgical songs along with academic writings, and is one of the first identifiable composers in western music. Here we feature her song O pastor animarum (O shepherd of our souls). 19th century pianist, composer, and teacher Louise Farrenc deserves a special mention as a pioneer of music scholarship and equal pay. Farrenc was the only woman to become a professor at the Paris Conservatory in the 19th century. Until 1870, women could not enroll in composition classes at the conservatory, and Farrenc was only allowed to teach piano, not composition. Despite this, Farrenc persevered with composition, producing a variety of orchestral, chamber, and piano works. Farrenc fought hard for equality, demanding equal pay to her male contemporaries. In her day, Farrenc was more famous for her piano playing than her composing, with her compositions becoming more well-known in the 21st century. Despite the barriers to women working in composition and creative arts, Farrenc received praise by Hector Berlioz and Robert Schumann in her time. In this playlist we feature Farrenc’s lyrical Cello Sonata in B-Flat Major, Op.46 – II. Andante sostenuto. 

Another French composer to study at the Paris Conservatory was 20th century Lili Boulanger. Boulanger was the first woman to win the Prix de Rome in 1913 for musical composition at the age of 19. She came from a musical family, and her sister Nadia Boulanger was a composer and conductor best known for teaching leading 20th century composers including Quincy Jones, Aaron Copland, and Philip Glass. Lili Boulanger also sang and played piano, violin, cello and harp, and studied with family friend Gabriel Fauré. Her catalogue includes orchestral, chamber, vocal, and choral works. Boulanger’s compositions are noted for the use of harmonies and text setting. In this playlist we feature Nocturne performed by Janine Jansen. 

Another pioneer of women’s rights in music was Amy Beach, an American pianist and composer of the 19th and early 20th centuries who wrote the first symphony composed by an American woman. Beach was a symbol of women’s rights during the suffrage movement, fighting hard for a woman’s place in the musical world. Beach famously expressed that “music is the superlative expression of life experience, and woman by the very nature of her position is denied many of the experiences that colour the life of man.” Another important woman composer of the early 20th century was Croatian countess Dora Pejačević. Pejačević, another composer born into a musical family, was the daughter of singer and pianist Baroness Lilli Vay de Vaya. Pejačević studied in Zagreb, Dresden and Munich and produced a wide catalogue of piano pieces, orchestral works, chamber music and songs.

Other composers included are Pauline Viardot, Clara Schumann, Teresa Carreño, Rebecca Clarke, Florence Price, Chiquinha Gonzaga, Poldowski, Ethyl Smyth, Margaret Bonds, Ruth Gipps, and contemporary composers Anna Clyne, Thea Musgrave, Isobel Waller-Bridge, Dobrinka Tabakova and Meredith Monk.

Our second playlist, Inspiring Women on Qobuz, features a mixture of iconic and contemporary female artists. We feature iconic artists such as Madonna, Chaka Khan, Aretha Franklin, Roberta Flack, Amy Winehouse, Billie Holiday, Carole King, Dolly Parton and Joni Mitchell. Contemporary highlights include the unique sounds of Norwegian jazz bassist and singer Ellen Andrea Wang and London-based jazz saxophonist Nubya Garcia. We feature Garcia’s Stand With Each Other from her pan-global album Source. Contemporary vocal highlights include Ane Brun, Joy Denalane, Kandace Springs, Kimberose, Lianna La Havas, Dominique Fils-Aimé, Celeste, and Jazzmeia Horn.

Sarah works on music editorial and research as part of Roon’s Music Team.

In January 2015, I wrote a deck to help me talk to the music and audio industries about Roon, which was still months or more from launching. Depending on how you looked at it, the presentation was either a cool product vision or (as Danny complained) it was “full of lies.”

The problem was a pair of slides that (I thought) handily summarized how Roon was going to work. The first stated that “Roon understands all your content,” meaning that it would find and identify music in various file formats on your hard drives, your iTunes library, and on your NAS, as well as importing your playlists and favorites from your streaming service. All of that was true enough (sort of). The second slide more boldly claimed that “Roon plays with all your hardware” which was – there’s no nice way to dress this up – just completely untrue at that point.

A fresh start with a new vision

After years of building closed hardware systems at Sooloos and Meridian, we learned that our place in the world is designing user experiences, not audio hardware. To reach all the enthusiasts and audiophiles out there, Roon had to work with absolutely everything.

Unfortunately, it didn’t. Roon 1.0 worked, to varying degrees, with USB, AirPlay, and Meridian devices. It was a good start, but hardly “all your hardware.” Over the next few releases, we added support for Squeezebox, Google Cast, Sonos, HDMI, and a handful of proprietary integrations like Devialet AIR, Linn, and KEF. The Roon Remote apps on iOS, Android, macOS, and Windows also play audio, so the dream of playing music everywhere was ever closer to becoming reality.

As we expanded Roon’s support of audio devices, though, two issues emerged as show-stoppers: (a) there was uncertainty about whether a device would work with Roon, and (b) there was no simple, reliable way to play high-resolution audio over your network.

To solve the first issue, we created the Roon Tested program, which lets us collaborate with audio brands on testing and quality assurance. Manufacturers send us their products, and we confirm that Roon identifies them correctly and has their features and specifications in its database. It turns out that seeing your device pop up in Roon – fully identified and working as expected – goes a long way to building confidence.

The second issue was a bigger challenge. The broadly accepted standard for high-resolution streaming at the time was UPnP, which we actively chose not to support. While promising in principle, the UPnP standard (and its derivative, DLNA) makes sacrifices in user experience (specifically audio format support and rich metadata) that run contrary to our goals for Roon. Also, because there’s no certification mechanism for UPnP devices, implementations vary widely and the experience of using them is… variable.

Build it and they will come

As an alternative, we chose to develop a high-resolution streaming protocol (RAAT) that addressed the shortcomings of existing systems, and we built an SDK for hardware manufacturers to integrate into their devices. Armed with a data sheet and a dream, we set out to convince an industry that we had built something better.

That was December 2015. To our surprise and delight, it was only 30 days later that the world’s first Roon Ready device was unveiled at CES in Las Vegas – the Auralic Aries. Since then, over 80 brands have signed on to the program, making it the most widely-used high-resolution streaming protocol in the world.

Together, the Roon Ready and Roon Tested programs have changed the audio industry. By collaborating with manufacturers, we’ve created a new kind of experience, in which hardware from one company and software from another genuinely work together flawlessly. Roon subscribers can readily get support from a team that has access to the products they’re using, so both our subscribers and our partners are happy.

Which brings me back to my infamous deck. This week, five years since we launched Roon, we can finally say with a straight face that Roon plays with all your hardware.